Melitastitches4fun's Blog


Woodlawn Roadtrip 2018

Another cold March but the nor’easters decided to give us a couple of sunny, nice days. So, Bill & I did get to Woodlawn this year. We also stopped at a huge magic store outside Baltimore and saw Tony Kornheiser record his sport talk pod cast in Washington (2 of my husband’s favorite things, magic and watching/listening to sports).

Woodlawn had fewer judged pieces this year (407 listed in the handout; numbering starts at 100 and ends at 660 but large blocks of numbers were skipped in between). However, there are 2 special display rooms. One is Japanese Needlework from students of Antonia Evans. Other businesses shown below were also sponsors of the exhibit. They do beautiful work. Oops, there was a sign saying no photography in the Japanese room (so, I removed them from my blog).

And, there were a variety of wonderful pieces from the family of Mary Duckworth, once a longstanding member of Nelly’s Needler’s.

As usual, there were some great entries from all over the country. Winners of ribbons are listed on the website now too at: http://www.woodlawnpopeleighey.org/annualneedleworkshow/ . And, that brings me to my review of select pieces. I will comment mostly in order by entry number (in parens). And, if the entrant is a designer that I know has his/her first & last name on the web or is listed as an award winner on Woodlawn’s website, I’ll cite both; otherwise, I cite full first name and last name initial letter only. I didn’t get photos of other people’s pieces. Docents there today said just photograph your own piece. But, I didn’t think that included the special exhibits as no docents were in those rooms.

Catherine Hicks had amazing original embroidery with stumpwork pieces including a likeness of Diego Rivera’s Frida and Salvadore Dali with a handlebar moustache done in stumpwork (100-103; multiple awards including a Judges Choice Award).

I do like seeing pieces from designers I know like Jennifer Reifenberg’s Colorplay done by Patricia Tector (112; HonorableMention), Catherine Jordan’s original map of Florida celebrating 500 years since Ponce de Leon landed there (135; 3rd place), Long Dog’s ‘Death By Cross’ with 363 x 447 cross stitches over 1 thread on 52/60 count linen done by John Kazmaier (157; Pope-Leighey Award, 1st Place) in a reddish brown color, Deborah Merrick-Wilson displayed 10 stunning pieces either goldwork or canvaswork original designs (227-236; multiple awards including 1sr, 2nd, 3rd, Honorable Mention, and Eleanor Custis Lewis Award for Best in Show), a large version of Drawn Threads Forest designed by Catherine Jordan and stitched beautifully by Margareta MacGregor (305; Judges Award, 2nd Place), Imari Collage designed by Debbie Stiehler stitched by Rosie Lunde (418; 3rd Place) and by Donna LaBranche (507; 3rd Place), and Come Dance With Me designed by Orna Willis and stitched by Maria B (469; no ribbon but well done and this a piece that I stitched too).

Some other pieces that really caught my eye because they were stunning or amazing or both: Susan Baldassano’s fish on gauze (237; Honorable Mention), 2 large coy fish with 32,000 beads stitched by Katherine Ludlow Callahan (489; 2nd Place), Shirley Hutton’s large ribbon embroidery piece won 4 awards including

Adelaide Bolte Award

,

Outstanding Senior Entry

,

Judges Choice Awards

, and

First Place Ribbon

(503; she’s a member of my new EGA chapter and was at Woodlawn the same day as Bill and I); 9 fuchsia ribbon flowers on a muted background of stitches reminding me of a trellis stitched by Shirley Mucha (554; 2nd Place), Mary Vantyne used 324,025 cross stitches to depict Napoleon Bonaparte sitting on top of a horse that looked like a photograph (565; Honorable Mention), and an original design with lots of flowers using surface/Brazilian embroidery stitches by Karen Maier (Woodlawn award and 1st Place).

My red pillow designed by Susan Hoekstra for ANG’s Stitch of the Month in 2016 was in the Christmas room (415; no ribbon but a docent said she heard people complimenting it). And, there were 5 other framed SOTM pieces in various colors including yellow, gold, blue, and 2 greens. The centers were different in at least 2 of them including a beautiful beaded flower (600; Mary V) and another with a stumpwork flower (602; Mary W). It would have been nice to see them in the same room.

And, my original design is a Zentangle piece that I drew first and then interpreted in threads (416; Honorable Mention).

Drawing:

Another inspiring exhibit! Thanks to everyone who contributed.

Stitched:


6 Comments so far
Leave a comment

Love your zentangle piece!!

Comment by Linda G

Congratulations on your Honorable Mention Ribbon. It really is a beautiful piece.

Comment by brendasneedlepointstudioblog

Thank you, Melita, for your kind words about my goldfish piece. Congratulations on your Honorable Mention.
Susan Baldassano sbaldassano@yahoo.com

Comment by Susan Baldassano

I don’t know how you can work on gauze! Lovely work. And, thanks.

Comment by melitastitches4fun

Love your zentangle piece. Thanks for the great review of the exhibit.
By the way, I love magic too! One of my most treasured memories from when I lived in L.A. is of my 2 visits to the Magic Castle. The very best closeup magic I’ve ever seen!!

Comment by Liz

Thanks. Very cool about magic. We haven’t been there yet. Bill does close up and I do mentalism! At one point, I could do a 45 min routine.

Comment by melitastitches4fun




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