I finally went through my needles and am throwing away the old ones of which I had a good number of bad ones. Since I don’t have a “sharps” container, I decided to google disposing of sewing needles. Once site recommended wrapping in a rubber band and placing that bundle into a disposable receptacle such as an empty take out box, makeup compact, or pill bottle. Keeping them contained prevents them from poking out of the garbage bag.
As I do this, in the spirit of Hari Kuyo, a Japanese festival of Broken Needles that has been celebrated for over 400 years, I will ask for improved skills, acknowledge my work over the past years, and thank each for their help and service. Hari means needles and Kuyo means memorial service. Traditionally, they were stuck into tofu and floated down a river annually. The tofu served to soothe the needles after their labor and protect from the points of the needles from doing harm. Read all about it at http://issuu.com/audsomee/docs/hari-kuyo
Since no sewing takes place on this day, I picked a good day to celebrate my needles because we are heading out to watch Monty Python live (Mostly), a 3-hour Fandango event with our Delaware friends, and dinner. Early birthday present for Bill!
Woodland’s 51st Annual Needlework Exhibition featured 500+ pieces which were fantastic (as always). The special exhibit (small but interesting) was “Needlework and the White House: A First Family Tradition”. It touched on the history of the needle arts in the President’s House. There were pieces made by first family members and holiday ornaments displayed that had been in the White House. By the way, this photo (http://www.needlepoint.org/Projects/WH-1995.php) shows the 1995 White House Christmas Stockings that were on display at the 1996 Exhibit at Woodlawn. But, the stocking I saw was from Barbara Bush’s 1991 Christmas tree decorations (bottom right corner of the brochure).
A few of the items I noted were the fire screen done President Washington’s granddaughter (Nelly as in Nelly’s Needlers) and great-granddaughter, 3D pieces such as a baseball glove, snail, giraffe, and drum from George Bush’s library, and Grace Coolidge’s samplers.
From there, I entered the room filled with pieces done by Junior stitchers which were fantastic with amazingly vibrant colors. I was most taken with Linda who did an original design (524) of a girl’s head with a fan in black work (all black on white fabric). I like bright colors but it made for a very busy room and maybe why I liked the black/white piece – it allowed my eyes to rest!
There were many samplers again including one by Nancy that included details about the life of a doctor relative of hers (516) – a more modern piece. Look for it in the corner of the room across from and diagonal to the stairs. But, it is low enough to read easily once you find it!
Catherine Jordan had several pieces (always a joy to see her work) including 2 book covers (one that looked like a knot garden), an open-work scene with see through layers of several trees, and 2 zentangle pieces (you can see examples on her website – very interesting).
Doreen’s stump work (533) with flowers and bugs leaping off the canvas were great but her surface embroidery (536) was so unique and delicate that Bill and I voted for it as our People’s Choice Award. She had three levels of cloudy shaped fabric mats to feature the design of a balloon basket containing the silhouette of a man and woman with the Eiffel Tower in background. It was stitched on such a fine piece of gauze that the balloon really appeared to be floating. There were even some beads adorning the basket. Only after the docent shined the light on the piece could you see the gauze more easily.
Becky’s Assisi white roses (33) were stunning done with black stitched outlines and a red background.
It always impresses me when people display multiples and large pieces. Ann’s 4 black footstools (451 452 453 454) displayed 3 flower designs and a dog. I doubt she shipped them!
Patricia made unique use of decorative white buttons of various sizes and shapes for the flowers which rested atop white cross stitch stems (310). I have a lot of buttons in various colors, sizes, and shapes that is on my list to use in a piece at some point. So, I was quite inspired by Patricia’s simple yet interesting use of the buttons.
Angela’s miniature Bluebird (610) got a First Place ribbon and reminded me of Carol’s (from TN) bird which won the ANG Princess Grace Award because Angela’s was small and done on a fine gauze too. You can see Carol’s in the July 2012 issue of NeedlePointers.
Thanks to Robin, I enjoyed seeing one of my favorite Charlie Parker designs (408), the cardinal sitting in a birdbath, B-r-r-r-r-rdbath.
Carol Ann did Ribbon Fantasy a Carole Lake design (584) which we considered for a chapter project – it has 7 ribbons each of 3 getting successively longer towards the longest center ribbon. Hers had small framed photos dangling from the end of each one.
Carol’s Solar Flare designed by Ro Pace with white in the center and red on the outer portion done on black canvas with tons of Jean Hilton stitches (22) can be seen in the 2013 ANG Awards Gallery (NeedlePointers Jan 2014 issue). In case you want to see the contrast, you can see Nancy’s Solar Flare on a white canvas in the 2010 ANG Awards Gallery (NeedlePointers Jan 2011).
Pat’s flag (321) done in small squares each with different stitches which reminded me of an ANG piece maybe that was passed around as I recall. I sure do wish I had a better memory at times like this!!
My “Crescent River” (didn’t win a ribbon) was in the same upstairs room as Christine’s (ANG’s current CyberWorkshops Committee Chairman) 2 very large pieces (116, 117) which are geometric designs stitched in similar purples which will no doubt make a stunning display in her home. I don’t know why they weren’t hanging together at Woodlawn – they were close but not next to each other. Despite being in the sunniest room in the house, you really didn’t see the reflective nature of my river until the docent shined the light directly on it. As she said, we will have to display it with a light to shine on it at home too. Kurdi did an original design with Jean Hilton stitches in three sections. There was an amazing amount of detail but I couldn’t see it good enough because it was too high on the wall. And, Eleanor submitted her 2013 ANG Stitch of the Month designed by Debbie Stiehler (850), a geometric pattern, using four-way Florentine stitches done in greens and blues. ANG offers tons of projects going back to the late 1990s even to non-members via http://www.needlepoint.org/Stitch.php – there are still several I would like to stitch!
Ruth had a small abstract design done on an orange background of unknown fabric with beads in the bottom left hand corner and rays radiating out to the upper right hand corner – a very modern design that was small but very interesting (324). It probably qualifies as “fiber art”.
Lots of wonderful stuff was in the Christmas room! John, stitched a Santa’s face that was absolutely amazing because of the very small count fabric and the shading that make it look like a photograph (212). The beautiful Christmas stockings on the mantle seem to be getting bigger and bigger each year. And, Joan made 3 standing Saints, each about 18″ tall on pedestals with 4 inch deep to give them stability (418, 419, 420). And, Laura’s train with the engine, five or six boxcars each lined with inside slots for candy canes, and the caboose was amazing (456). I can’t imagine how much that cost to get done by a finisher. But, a highlight for me personally was the piece Bill spotted first done by Pam which is the same piece that I gave to Dottie with the white trees and snowflakes (372) (http://melitastitches4fun.wordpress.com/2010/02/05/snowflakes/)!
Of interest to me because of our upcoming spring project was Marilyn’s long piece (like a Bell pull but longer and wider) of Chicago’s buildings and in the sky were several logos of the local sports teams.
Lastly, I had to go back to the displays outside the dining room to see the wonderful, very large, 3D butterfly (613) stitched by Lynn (a docent I had met upstairs) who used all silk ribbons. The butterfly must have been raised 2 to 3 inches off the surface – I wish it wasn’t so far back in the room and I can understand they don’t want people touching anything but it is so hard to see that far and get any details. Maybe I will bring binoculars next year!!
I wish I could talk about all the pieces I saw – all are worth talking about – another wonderful show. And, our weather was fantastic last weekend. If you can take the time to go, you’ll love it. We had eaten breakfast and so did not have lunch this year but it must have been good (as usual) because they were packed (as usual).
They have another raffle this year & I picked up some gift tags that were hand stitched by members of Nelly’s Needlers to benefit Woodlawn. It is a great way for a chapter to practice stitches and raise money!
Filed under: General comments
Last week, I happened to read through several old ANG NeedlePointer magazines and found an article on basketweave that explained what direction to stitch. This week, I picked up this piece for some easy stitching and realized that I could figure out the proper place to start. The article said, if you are right-handed, work up the horizontal and down on the vertical. And, I can see that clearly on this piece now!
I must come down on the vertical:
Filed under: General comments
I do like finishing some pieces on my own in various ways mainly because I do not have much wall space left. And, one of the stitches I use is the whip stitch to finish the edge without blocking. It works good for small pieces to go in such things as ready-made frames, bookends, or box tops – it doesn’t create a thick edge & won’t ravel. As long as I don’t pull threads too taut, the canvas doesn’t get distorted. But, I still haven’t used the stitch often enough that I have it memorized. So, this is my stitched example that I can pull up anytime to refer to it. I have to work it left to right. And, it is better to start and/or end on an edge – not a corner!
Filed under: General comments
Since this is a photoblog, I am also sharing an apron they made for me for Christmas – I love roses! Don’t they do beautiful work? I would really appreciate your help to get them to the next step in the process. Thanks so much for your time. Melita
Good luck Anita & Steve – love you too, Melita (going to vote now!)
I may not have found any needlepoint stores in Vermont but I am finding interesting needlepoint pieces in antique stores (first 3 I have no further info on them) and a sampler (a common pattern from Springfield, VT area for a family record sampler done by a 13-year-old, Martha Harkins) and a quilt at the Bennington Museum. It is a 150 year old quilt done by Jane Stickle with 169 five-inch blocks, each in a different pattern, containing a remarkable total of 5,602 pieces, all surrounded by a unique scalloped border. The quilt is in perfect condition & only on display for a limited time each year.
This trip saved me money & from having more unfinished projects! But, I was very fortunate to see such nice work, especially the quilt.
The night before my shopping excursion, I met with the ANG Flower City chapter. It was a wonderful visit. I think I sparked some interest in the Correspondence Courses. And, I got to see Hiogi (Kay Stanis design) stitched along with many other beautiful pieces. There was a really wide variety of techniques, including knitting represented by about 2 dozen folks! Next time maybe I can sit and stitch for a while.
As we headed out from my aunt and uncle’s in Rochester towards my brother in Naples, I managed to find a new threads for my stash at:
Golden Thread Needlearts in East Rochester. They had Rainbow Gallery’s Silk & Cream described as their ‘Backgrounds Line’. It is a single ply (so, no laying) and is a 50/50 silk/wool blend. Andrea was very excited about the newest trunk show for Elizabeth Bradley. Isn’t the rug amazing! It can be hung on a wall (albeit a large one) or placed on the floor as it was going to be displayed. All kits are designed to be worked with a Victorian cross stitch which covers well and produces a thick, hard-wearing piece without distortion. And, it is not necessary to work it on a frame. I was tempted to get a single square to work up as a pillow. But, I just took the catalog (for now). They have a nice variety needlepoint including instructions for the Brenda Kocher design that our chapter is going to stitch in the fall (Tootsiebubbles: Pinwheels & Whirligigs). And, I saw a stitched Angel of Hope signed by Marilyn Leavitt-Imblum (I stitched it for my sister and is the subject of an earlier blog). I did get a counted cross stitch of a lilac. There is a very interesting wiki page on the annual Lilac Festival held in Highland Park in May. Growing up south of Rochester in Avon, I have enjoyed the beautiful local flowers.
Expressions in NeedleArt in Canandaigua NY. The threads are ThreadworX and it is hand overdyed Kreinik (I got several colors in #8 and #12 braid). I never saw a plastic thimble before – very comfortable. Lori was kind enough to let me photo her in the store which has a great selection of threads and the painted canvases were amazing. I have to get used to using thinner threads or open stitches to allow the canvas to show through because there are soooo many beautiful canvases. There were tons of counted instruction booklets, books, and tools.
Last but not least, 2 doors away is Liberty Cottage, a Folk Art Stitchery store. I got a fantastic tool which will allow me utilize threads for 2 punch needle projects that I bought some time ago and have yet to complete. I was thrilled to get a lesson from Suzanne who also allowed me to photo her standing next to her beautiful hand dyed wool fabric. She covers rug hooking, tatting, rag rug weaving, and many other crafts. I was tempted to stop in to see the Sat class on penny rug making but we had celebrated at my brother’s wedding a tad too much!
All the stores offer quality products with a good variety of stitching techniques to choose from and classes to learn – the area is very fortunate!
So, I completed the Rochester trifecta in one day! I enjoyed chatting with all the ladies and look forward to future visits. I really need to stitch faster or retire and stitch more. Then, I can visit more chapters and more stores!!
How cool – Scandinavian Stitches came to Philadelphia today for “Finns and Swedes in America since 1638” Celebration at Penn’s Landing. I met Lynda and got her permission to blog this photo. And, I picked up this Christmas Bag with the Nordic Hearts design.
The single-ply, cotton threads are very interesting. They are called Danish Flower Threads. You can feel the roundness of them especially when you feel a single-ply DMC thread. Read all about them at http://www.scandinavianstitches.com/thread.php?nav=thread And, if it doesn’t knot as they say, that’ll be very cool!
I met Annie this week & with her permission am posting this picture. I’m holding my purchase (got 10% ANG discount) which is the second picture-threads! The small bags are ‘embellishment trim’ by Sundance Designs. They call the line, Sparkles, and describe it as a unique metallic tubular material. You can couch it, twist, turn, stuff, scrunch, or stretch it! Looks like fun times ahead.
And, the other is a beautifully selected bag of threads (for Hanukkah or winter) from Thread Candy Studio. Great combo of blues, purple, & whites.
Between my cell phone & the iPad provided by the hotel in the room(!), I am able to blog from NYC!
Filed under: General comments
My husband remembered that I wanted the Kreinik Silk Home Collection. I read about it months ago & told him it would make a great birthday present! And, I’m thrilled with 10 skeins per color family of the Silk Mori that he gave me yesterday. A couple of other nice gifts, dinner with friends, and a week in NYC coming up soon! It makes increasing numbers and increasing aches less painful. Now, to ponder the possibilities about what to do with these. They would certainly lend themselves to more Or Nue projects.